The McMullen Museum opens to the public on Monday, January 31 with Martin Parr: Time and Place.
Curated by Professor Karl Baden in collaboration with Boston College Irish Studies, Art, Art History, and English faculty and comprising over 135 works and an extensive collection of photobooks, the exhibition features at its core a career-spanning selection of Parr’s Irish photographs and other series that demonstrate how Parr developed a powerful vocabulary of visual and conceptual ideas informed by overlapping feelings of familiarity and alienation, and instincts that are anthropological as well as artistic.
We welcome you to view the exhibition on your own or with guests, Monday–Friday, 10 am–5 pm and Saturday–Sunday, noon–5 pm.
Contact McMullen’s Manager of Education, Rachel Chamberlain, at firstname.lastname@example.org or 617.552.1427 to schedule a tour or to learn about what McMullen has to offer.
In accordance with the City of Boston’s B Together Policy, visitors ages 12+ must show proof of full vaccination upon arrival. Masks are mandatory. Please keep socially distant. We look forward to welcoming you to the McMullen!
Martin Parr (born Epsom, United Kingdom, 1952) is a photographer whose work evinces a global sensibility presented with the closely observed, precise detail of the local. His images underscore how global continuities diminish distinctions among local cultures. This is Parr’s first wide-ranging museum exhibition in the United States with over 135 works and an extensive selection of photobooks on display.
Martin Parr: Time and Place features at its core a career-spanning selection of Parr’s Irish photographs, which describe the radical evolution of Ireland over the last four decades and the major themes of his work—social class and consumption, curiosity and humor, humanity and its predictable idiosyncrasies. Photographs from other series, Autoportraits, The Last Resort, Small World, and The Cost of Living—made in Europe, North America, the Middle East, Africa, and Asia—demonstrate how Parr developed a powerful vocabulary of visual and conceptual ideas informed by overlapping feelings of familiarity and alienation, and instincts that are anthropological as well as artistic.
Working in the lineage of documentary photographers Walker Evans, Bill Brandt, Robert Frank, and Lisette Model, Parr often engages in cultural critique that is humorous, affectionate, ironic, or biting depending on the viewer’s perspective. Finding productive models in commercial and journalistic photography as well as fine art, Parr distinguishes himself from fellow ironists by introducing bright, saturated color to documentary practice. The early black-and-white work in Time and Place highlights the important role that color plays in Parr’s later photographs and emphasizes how his style and vision is more complex, and less defined by color than viewers might expect.
Organized by the McMullen Museum in conjunction with Tracy Marshall-Grant for Northern Narratives and the Martin Parr Foundation, the exhibition has been curated by Karl Baden in collaboration with Boston College Irish Studies, Art, Art History, and English faculty. The Martin Parr Studio has loaned all works in the exhibition and Martin Parr is represented by Magnum Photos. Major support has been provided by the Martin Parr Foundation, the Patrons of the McMullen Museum, and Mary Ann and Vincent Q. Giffuni.